New Ear Festival 2026
Night 02 :: Jade Manns, Heather Dewey-Hagborg, Stephen Vitiello | Brendan Canty | Hahn Rowe
Saturday, January 19, 2026
169 Bowery NYC
Doors: 7:30p | Show: 8:00p
The New Ear Festival is a bold exploration of avant-garde sound and contemporary art. The festival features a diverse lineup of artists pushing the boundaries of sonic innovation, embodying one of Fridman Gallery’s core missions—to help restore the creative, experimental spirit of downtown Manhattan.
Performers:

Jade Manns is a choreographer, dancer and co-founder of the artist-run performance space PAGEANT in New York. Her work has been presented at Danspace Project, New York Live Arts (Fresh Tracks), Movement Research at the Judson Church and PAGEANT among others. Jade has received support from The Foundation for Contemporary Art (FCA Emergency Grant), The Alberta Foundation for the Arts, NYU Artist Development Program for Dance and Kino Saito Arts Center. She was a 2024/2025 New York Live Arts Fresh Tracks Artist and is currently the inaugural Choreographic Fellow for the Martha Hill Dance Fund Mesh Fellowship. Jade is a co-founder of PAGEANT, a volunteer-run performance space that presents the work of emerging dance artists. Pageant is a 2026 Studio Resident at the Museum of Modern Art (MoMA).

Dr. Heather Dewey-Hagborg is a New York-based American/Canadian artist and biohacker who is interested in art as research and technological critique. Her controversial biopolitical art practice includes the project Stranger Visions in which she created portrait sculptures from analyses of genetic material (hair, cigarette butts, chewed up gum) collected in public places.
Heather has shown work internationally at events and venues including the World Economic Forum, the Daejeon Biennale, the Guangzhou Triennial, and the Shenzhen Urbanism and Architecture Biennale, Transmediale, the Walker Center for Contemporary Art, the Philadelphia Museum of Art, and PS1 MoMA. Her work is held in public collections of the Centre Pompidou, the Victoria and Albert Museum, SFMoMA, among others, and has been widely discussed in the media, from the New York Times and the BBC to Art Forum and Wired.
About the Singers

Known for “terrific clarity” (Baltimore Sun), “agile coloratura” (Schmopera), “entrancing and fluid” singing (DC Metro Theatre Arts), and “ethereal vocals” revealing “exquisite vocal technique and luscious colors” (OperaWire), Canadian soprano Danielle Buonaiuto is sought after as a soloist and consort musician in early and new music. She has appeared with Prototype Festival, Canadian Opera Company, and Tapestry Opera in recent premieres. Her album, Marfa Songs, was released on Starkland in 2020. Danielle is a founding member of ChamberQUEER, as well as Duo Calisto with spouse Jules Biber, cellist. www.daniellebuonaiuto.com

Baritone Brian Mummert sings, conducts, arranges, composes, and curates musical experiences that harness narrative as a mode for deepening mutual understanding. He is the founding artistic director of The New Consort, an American Prize-winning vocal ensemble exploring the roles musical ritual and community play in contemporary lives; and a co-founder of ChamberQUEER, a chamber music collective highlighting the voices of LGBTQ+ composers and performers, and The Red Ribbon Revue, a World AIDS Day concert featuring HIV+ performers celebrating the legacy of artists lost to AIDS. Performances by Brian’s ensembles have been hailed as “a utopian dream… [at] the cutting edge of classical music” (The Nation) and “an extraordinary concert that is nothing like what you might expect, but much like what you’d hope for” (BroadwayWorld).

Gregório Taniguchi, tenor, is a native Angeleno and Brooklyn resident, specializing in music of antiquity and the contemporary as chamber artist and soloist. He brings linguistic gusto and vitality to performances as the Evangelist in Bach’s St. John Passion (“textually keen and emotionally piercing” – San Francisco Classical Voice) and Christmas Oratorio, Zadok in Handel’s Solomon, Miles Zegner in Missy Mazzoli’s Proving Up, and Septimius in Handel’s Theodora, and when originating new roles. He enjoys the alchemy of collaborative ensemble singing, especially with Clarion Vocal Ensemble, TENET, Tesserae, Bach Collegium San Diego, and Washington Bach Consort. Gregório is passionate about artistic community, coaching language, and knitting. Since recording his mother’s favorite fado during lockdown, he’s been learning guitarra portuguesa—and the Renaissance cornetto. He enjoys being an active part of his ecological community, germinating seeds and raising native wildflowers.



The premiere performance of Stephen Vitellio, Brendan Canty, and Hahn Rowe‘s trio, following the release of their LP, Second on Balmat.
Stephen Vitiello
Fans of ambient, experimental electronic music, and sound art will be familiar with Vitiello, a New York native, long based in Virginia, who has collaborated with a cross-generational list of greats: Taylor Deupree, Steve Roden, Lawrence English, Tetsu Inoue, Nam June Paik, Ryuichi Sakamoto, Pauline Oliveros, and many more. On labels like 12k, Room40, and Sub Rosa, he has explored a wide range of minimalism, microsound, lowercase, ambient, improv, and other styles.
Brendan Canty
Brendan Canty, of course, is the legendary drummer of Fugazi, the visionary DC post-hardcore group, as well as Rites of Spring before them, and, currently, the Messthetics, a Dischord-signed instrumental trio with guitarist Anthony Pirog and Fugazi bassist Joe Lally.
Hahn Rowe
Active since the early 1980s, Rowe—a violinist, guitarist, and producer/engineer—has played with, or manned the boards for, a frankly jaw-dropping list of musicians: Herbie Hancock, Gil Scott-Heron, the Last Poets, Roy Ayers, John Zorn, Glenn Branca, Swans, Live Skull, Brian Eno, David Byrne, Anohni, R.E.M., Yoko Ono, and many more. But he might be most closely associated with Hugo Largo, a one-of-a-kind New York quartet—two basses, vocals, and Rowe’s violin—that in the late 1980s helped lay the groundwork for what would eventually become known as post-rock.
